AI B-roll copilot
Your footage. Cut to your words.
ContentSync understands your narration, finds the right moments inside your own footage library, and builds an editable B-roll first cut for you.
No stock footage. No AI-generated video. Your footage, your style, your final call.
The real problem
Your editor already makes cutting easy. What eats your week is the hunt — scrubbing through twelve hours of raw footage because you know the perfect clip is in there somewhere.
Say your narration lands on “…how important parrying is.” The ideal parry clip exists — buried around hour seven of a stream VOD. Finding it by hand costs twenty minutes. Across one video, that hunt costs days.
ContentSync finds it in seconds — inside your own library.
The pipeline
No scrubbing through hours of footage. No stock substitutes. The copilot reads what you said and finds the moment you already shot.
Point ContentSync at your drives and archives. Every clip is indexed into a searchable personal library.
Drop the finished voiceover. It's transcribed with word-level timestamps and parsed into semantic beats.
Each beat is matched against your library by meaning — ranked by relevance, specificity and pacing. Swap any pick.
An editable first-pass timeline lands in Premiere, DaVinci Resolve or Final Cut. The craft stays yours.
Why not what you already use
Manual editing has the taste but not the time. Generic AI editors have the speed but fill your story with stock and generated footage that isn’t yours. ContentSync sits in the gap.
| Manual editing | Generic AI editors | ContentSync | |
|---|---|---|---|
| Uses your own footage | Yes | No | Yes |
| Semantic matching to your narration | No | No | Yes |
| Reusable personal footage library | No | No | Yes |
| Editable first cut in your NLE | hours of scrubbing | No | Yes |
| You keep full creative control | Yes | No | Yes |
| No generic stock footage | Yes | No | Yes |
| No AI-generated B-roll | Yes | No | Yes |
| Time to a first cut | Days of hunting | Minutes, wrong footage | Minutes, your footage |
AI does the hunting. You do the editing.
FAQ
Neither. It only ever places clips that already exist in your own library. Nothing is generated, nothing is licensed from a stock service.
Premiere Pro, DaVinci Resolve and Final Cut Pro, via standard XML / FCPXML interchange.
Your footage stays in your library. Processing happens against it; the output is a manifest of decisions plus an editable timeline.
Every placement offers the top three alternatives for the same cue. Swap with one click, or delete it. The engine would rather place nothing than place something irrelevant.
No. The library is persistent and reusable — it gets more useful with every video you make.
Ready when you are
Your footage already has the shot. Let ContentSync find it.